Transporter (1999)
Transporter (1999) Card, pva glue, cellulose paint, steel engineering Hight 500 cm (Private collection) ‘That Alison Gill has always been curious[…]
Wellfont (1999)
Wellfont (1999) Flint, lime mortar, mirrored hemisphere, plaque Wellfont explores belief, folklore, the heritage industry and the stories we tell
Receptor (1997)
Receptor (1997) Glass reinforced polyester, perspex, enamel paint 34 x 168 x 39 cm Receptor can be accurately described as
Amplifier (1997)
Amplifier (1997) Paper, PVA, paint, steel armature (2 parts, Fly Agaric, Amanita muscaria) Dimensions variable (height 140 cm) Private collection. Exhibited at Sabine
Amplifier (1997)
Amplifier (1997) Paper, PVA, paint, steel armature (11 parts, Liberty Cap/Magic Mushrooms) Dimensions variable (height 300 cm) Private collection. Exhibited at
Transceiver (1996)
Transceiver (1996) Plaster, paint, resin, brushed cotton ‘With a combined receiver and transmitter it can be difficult to tell whether
Kinetic Attractor (The Kiss) (1996)
Kinetic Attractor (The Kiss) Silicon rubber, clothing, Perspex, coated-polystyrene 65 x 100 x 36 cm Private collection ‘Representations of the
Transmitter (1995)
Transmitter (1995) Plaster, paint, fabric, artificial and human hair, Perspex and steel armature 137 x 80 x 50 cm Exhibited
Talking Dead (1994)
Talking Dead (1994) Painted plaster, synthetic and human hair, resin eyes, clothing, refuse sack, gaffer tape, trunk 91 x 96
Wurst Girls (1994)
Alison Gill, Roz Lowry and Emma Rushton at the Fete Worse Than Death. There had recently been a show at
It’s All Over (1993)
It’s All Over (1993) Steel, artist’s hair, glass, fabric, elastic bands 45 x 60 x 41 cm Private collection Exhibited