Alison Gill

I’m a London-based artist whose work invites you to step outside conventional ways of seeing and experiencing the world. For me, art is a lens—a micro-magnifier of reality—that challenges dominant systems of power and environmental collapse. I aim to offer alternative perspectives that, however fleeting and contigent, encourage a deeper way of perceiving, thinking, feeling, and listening.

With over three decades of experience in sculpture, my artistic practice is anything but linear. Rooted in a transdisciplinary approach, I weave together embodied perception, performative installations, and collaborative projects. My training in psychoanalysis and background in somatic practices influence my ongoing exploration of what is felt but not yet understood. Through improvisation, I push the boundaries of art and perception, charting experimental and speculative paths that engage both mind and body.

I create works that blur the lines between sculptural form, choreography, and storytelling. Recent projects have focused on material experimentation, bodily exploration, and the manipulation of time—shifting between past, present, and future through various modes of representation. The result is an immersive experience often using humour that invites you to pause and reconsider your relationship to the world around you. My art exists in direct conversation with its environment and with you, the viewer, forging moments of intimacy and collective reflection.

Whether I’m investigating forgotten spaces, mapping invisible narratives, or inviting you to engage with unfamiliar territories, my work is about creating spaces for critical thought and shared feeling. I invite you to join me on this journey—one that encourages a deeper connection to our world and to each other.

Works

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News

A Fine Day For Seeing

Southwark Park Galleries present ten pairs of poets and artists: Tamar Yoseloff/Alison…

Mise-En-Scène at 4Cose

Performance Regenerator (Utopia n) Sculpture Performing Tumbleweeds-Out-of-Place and launching new work ‘In-Occupation’ for MISE-EN-SCENE publication…

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